Fully Digital Pro Tools Based Studio

Pro Tools LE System/Digi 002 Firewire-Based Pro Tools Studio
with Integrated Control Surface


· 32 Track of 16 - or 24 Audio
· 256 MIDI tracks
· Non-destructive, sample-accurate editing of audio and MIDI
· Powerful, real-time mixing and effects
· AutoSave session capabilities
· Stereo tracks
· Integrated track import
· 8 analog outputs; Outputs 1&2 mirrored on 1/4” TRS Monitor Output
   (with dedicated volume control), headphone output on 1/4” TRS
   (with dedicated volume control knob), and RCA-based-10 dBV fixed output
· 8 channels of ADAT optical I/O or 2 channels of optical S/PDIF I/O
· 2 channels of S/PDIF I/O on RCA connectors
· Alternate Source Input for direct monitoring of -10 dBV audio equipment
   (tape players, CD players, etc.)
· 24 bit/96 KHz converters, up to >108 db Dynamic Range and >98 dB
   (0.002%) T HD+N
· 8 touch-sensitive motorized faders
· 8 motion-sensitive rotary encoders used for pan/send/meter/plug-in control
· 10 scribble strips for track name, pan, send, fader, plug-in values and
   timeline position
· Transport control
· MIDI I/O- 1 IN port, 2 Out ports (16 channels in, 32 channels out)

Robbie Microphone and Instrument Preamplifier

· Fully discrete Class-A signal path -- completely balanced from input
   to output
· Solid-state transformerless input stage coupled with twin triode
   (ECC88) vacuum tube gain stage insures ultra low noise (-131 dB),
   maximum detail and exceptionally musical harmonic saturation
· Minimum Gain: 8 dB
· Maximum Gain: 68 dB
· Frequency Response (+ / - 2 dB ): 10Hz - 100kHz
· Noise @ 60 dB gain (10 Hz - 30 kHz, 50O source): -131 dB EIN
· Noise @ 60 dB gain (10 Hz - 30 kHz, 150O source): -129 dB EIN
· THD + Noise @ 60 dB gain (10 Hz - 20 kHz, +22 dBu output): < 0.006%
· Phase Response @ 60dB gain (50 Hz - 20 kHz, +22 dBu output): < 5°
· Common Mode Rejection Ratio (50 Hz - 20 kHz, 100 mV input): 60dB
   gain > 64dB; 30dB gain > 75 dB
· Maximum Input Level (8 dB Gain, 20 Hz - 20 kHz): +22 dBu w/o pad
· Maximum Output Level (20 Hz - 40 kHz @ 10 kO): +34 dBu
· Mic Input Impedence (20Hz - 20kHz): 5kO (2x 2,5kO)
· HI-Z Input Impedence: 1MO
· Output Impedence: 50O (2x25O)
· Phantom Power: +48 VDC, +/- 1.5 VDC
· Power Consumption: 8W Power Requirements: 115/230 VAC,
   50/60 Hz Yamaha

- Motif ES8 88 Key Music Workstation/Synthesizer
- Mackie HR824 Studio Monitors
- Neumann TLM13 Diaphragm Condenser Microphone
- SPECTRAL RM5000 Music Production Computer

Producer
Les DeShield: Music Producer, Songwriter, Composer, Pianist/Keyboardist

Studio Engineer
Thom Stevenson: Certified Music Recording Studio Engineer